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    • 二十世纪初年,河北义和团运动被清廷镇压,首领张德成临终把借来的古兵器龙凤锏交给闵宗瑞(张蜀渝 饰)和满七姑(李秀珍 饰)。转眼二十年过去了,义和团后代长大成人,闵宗瑞约满七姑八月十五赴北京天桥比武决定双锏的归属。八月十五这天,七姑的儿子满金子(龚玉春 饰)和小砘子(巩立峰 饰)带着凤锏来寻龙锏,闵宗瑞之子闵呈祥(戴文章 饰)与徒弟鲍国平(陈敏 饰)则带着龙锏寻凤锏。龙凤锏的原主人李长水的儿子李广仁(王群 饰)也闻讯至此,三拨人展开了明争暗斗。日本洋行掌柜占部(李林 饰)看出端倪,顿生歹意。天桥恶霸刘光庭调戏艺人翠花(黄维清 饰),满金子实在看不下去,打伤刘光庭将翠花救下,阴险狡诈的占部目睹一切,感觉时机已到......

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          SynopsisIn the Allegory of the Cave, Plato ponders: what would happen if one of the prisoners managed to free themselves from their chains and escape from the cave? What if that prisoner were Jay, a little 7-year-old boy?Director’s statementWhat lies behind the daily movement of a city? Last winter, we met in Paris and began discussing the Allegory of the Cave, as told in Plato’s Republic. The myth imagines humanity living in chains, facing the back of a cave, and watching shadows move on the walls, thinking it is reality. We both work with images, which certainly can be illusions, but can also become instruments of struggle and liberation of thought. So, from this discussion, we decided to create a short film. We had a few fixed ideas—the cave, the dance, the city bustling around us—and one question: what would happen if we all managed to turn together towards the exit of the cave? Perhaps it is not enough to assert that images are illusions as long as the chains that bind us are real.

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